We’re on a roll with great guests and this week is no exception, it’s Costume Designer David Woolard! David tells us about costuming the characters of Aaron Sorkin in ‘A Few Good Men’ and ‘The Farnsworth Invention’, creating the clothing for an icon like Jane Fonda and the experience of designing the original production of ‘The Who’s Tommy’ and then returning to it 20 years later at the Stratford Festival. David also shares stories from ‘First Date’, the challenges of working with Arthur Laurents, the brilliance of Des McAnuff, and the adventure of finding the perfect sweater for Billy Crystal. Darling, this episode is simply mahhhhvelous!

This week’s guest is Costume Designer Jess Goldstein. Jess’s first Broadway design was in 1980 and he has 35 years worth of stories, anecdotes and behind the scenes tidbits from his life in the theatre. He tells us about the unique experiences costuming some of our greatest performers including Al Pacino, Tyne Daly, John Lithgow, Martin Short and Kevin Kline. He shares insight into his design process for ‘Newsies’, ‘On the Town’ and the upcoming ‘Ever After.’ Jess and Cory chat about why designing for film and TV is so different than theatre, how his sketching process has evolved down to the type of colored pencils he uses, and his teaching philosophy with the next generation of Costume Designers at Yale. AND hear the completely by chance way that ‘Jersey Boys’ became a part of his life and the personal and professional effects of being attached to the holy grail of Broadway musicals, the unstoppable mega-hit!

It’s another first for the show with Wig, Hair and Make-Up Designer Leah J. Loukas. Leah is here to teach us everything we wanted to know about Hair Design. She talks us through the artistic process of designing hair as well as the logistical and economical realities of her profession. Cory and Leah chat about the challenges of designing blood soaked hair for ‘Carrie’, famous locks for ‘A Night with Janis Joplin’ and her current work in ‘On the Town’ and the upcoming ‘Heidi Chronicles.’ She’s got some great stories and insight about designing hair that must be true to the period, practical for 8 shows a week, and comfortable for the actors. She even touches on her love/hate relationship with those pesky hair intruders known as mic packs. Let it fly in the breeze, get caught in the trees and give a home to the fleas, we’re talking hair!