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She’s funny! She’s smart! She’s totally having a “moment.” And we’ve got her on the show today…it’s lighting designer Jen Schriever! Jen tells us about her making her Met debut with ‘Die Fledermaus’ and her Broadway debut with ‘Ghetto Klown.’ Jen and Cory chat about dealing with deadlines, focus nightmares, how to cue when your actors are just wigs on music stands, and it’s another Woody Harrelson story!
Jen is a lighting designer from New York City whose credits include Die Fledermaus at the Metropolitan Opera House, Ghetto Klown (Broadway), The Taming of The Shrew, The Conference of the Birds (Folger, DC), The Gronholm Method (Falcon, LA), American Hero (Williamstown), A Second Chance (Public Theatre, Signature, DC), Bullet for Adolf (New World Stages), The Other Josh Cohen, Triassic Parq (Soho Playhouse), Mosaic and Whida Peru (59E59), Stuffed and UnStrung (Union Square), An Evening Without Monty Python (L.A. & Town Hall), Stones in His Pockets (Center Stage), Clybourne Park (Asolo Rep), The Crucible (Indiana Rep), Pippin, A Streetcar Named Desire, The Winter’s Tale (Berlind Theatre, McCarter). Internationally: The Pearl Fishers (ENO, London), Hairspray (Oasis of the Seas).
Her Associate Design credits for Broadway include: Chinglish, Death of A Salesman, The Mountaintop, House of Blue Leaves, The Book of Mormon, Women on the Verge of a Nervous Breakdown, Fences, A Behanding in Spokane, Joe Turner’s Come and Gone, You’re Welcome America, American Buffalo, 13 – A New Musical, A Catered Affair, Cymbeline, The Vertical Hour, The Color Purple, and The Threepenny Opera.
