He’s baaaaack! In what has quickly become an annual tradition, Lindsay Jones is back again this summer to continue chatting about all things travel and life on the road. This week we’re talking about airline classes, how to beat Priceline at their own game, what day of the week and what time you should book your flight, why you’re waiting at Penn Station in the wrong location, how to negotiate a travel budget with the theatre, and the differences and simple joys of TSA Pre-check, Global Entry, and Clear. Lindsay tells us why you should NEVER fly Spirit Airlines, why the pre-check line keeps getting longer and longer, and the fact that Basic Economy is so bad, even LORT theatres don’t want you flying it. And he swears anyone is allowed to use the bathrooms in first class, though in1 is not responsible for your legal fees. And we’re talking Collaborator Party 2018! Lindsay gave up his dinner break to share his secrets so don’t let his starvation be in vain and hit play now!
Lindsay Jones has designed Sound for the Broadway productions of Bronx Bombers and A Time to Kill. Recent Off-Broadway credits include Bootycandy (Playwrights Horizons); Smokefall (MCC); Mr. Joy (LCT3| Lincoln Center Theatre); Privacy, Dry Powder, Barbecue, Wild With Happy (Public Theater); and many others. Regionally he has worked with Arena Stage, Guthrie Theater, Hartford Stage, Alliance Theatre, Goodman Theatre, Chicago Shakespeare Theater and many others. International credits include Stratford Shakespeare Festival (Canada), Royal Shakespeare Company (England) and many others. His awards include seven Joseph Jefferson Awards and 21 nominations, two Ovation Awards and three nominations, one LA Drama Critics Circle Award and three Drama Desk Award nominations, as well as nominations for Helen Hayes, Barrymore and many others. Film scoring credits include Magnolia Pictures’ The Brass Teapot and HBO Films’ A Note of Triumph (2006 Academy Award—Best Documentary).