He’s baaaaack! In what has quickly become an annual tradition, Lindsay Jones is back again this summer to continue chatting about all things travel and life on the road. This week we’re talking about airline classes, how to beat Priceline at their own game, what day of the week and what time you should book your flight, why you’re waiting at Penn Station in the wrong location, how to negotiate a travel budget with the theatre, and the differences and simple joys of TSA Pre-check, Global Entry, and Clear. Lindsay tells us why you should NEVER fly Spirit Airlines, why the pre-check line keeps getting longer and longer, and the fact that Basic Economy is so bad, even LORT theatres don’t want you flying it. And he swears anyone is allowed to use the bathrooms in first class, though in1 is not responsible for your legal fees. And we’re talking Collaborator Party 2018! Lindsay gave up his dinner break to share his secrets so don’t let his starvation be in vain and hit play now!
This week’s episode is brought to you by the number 78 as we sit down with Emmy Award winning Costume Designer for Sesame Street, Brian Hemesath! Direct from Kaufman Astoria Studios, Brian is sharing with us stories and fun facts about costuming the humans on the show while trying not to get too star struck surrounded by Elmo, Big Bird and the entire gang. He breaks down how the costume department approaches each new season of shows, deals with clothing celebrity guest stars, makes sure the human clothes play nice with the puppet clothes and other tales and tidbits. Brian and Cory also chat about his 10+ years spent at Saturday Night Live and a typical week in costume world at SNL from table reads, fittings, research, rehearsals, and pre-tapes to the organized chaos of the live show and how he became the go to costume designer for Andy Sandberg and the Lonely Island sketches. And if THAT isn’t enough, the guys chat about Brian’s Broadway debut designing ‘Honeymoon in Vegas’ as well as the challenges and problems facing costume designers often forced to front their own money on clothing and issues surrounding receipts, reimbursements, credit cards and cc debt, and ideas to mitigate the pressure placed on designers. From Bert to Ernie, to Mother Lovers, to flying Elvis’s…this episode has it all including a trip down memory lane to a dairy farm in Iowa. Sweep those clouds away!
This week Sound Designer and Travel Aficionado Lindsay Jones is back for another installment of his guide to traveling and working on the road. This go round, Cory and Lindsay tackle the moral and practical realities of boycotting travel companies who’s politics you disagree with by discussing recent incidences with Delta and Uber. Other hot topics includes the best way to rent a car, why you should sign up for every car rental and hotel loyalty program, the best way to pack a suitcase, what to do if your suitcase doesn’t arrive when you do, how to get a hotel room upgrade like a total baller and Lindsay tries to convince Cory to never ever check a bag. As a founder of The Collaborator Party, Lindsay also discusses the American Theatre Wing’s decision to re-instate the Sound Design Tony and what that means for the party going forward. AND Lindsay claims once and for all that he is in fact not John Malkovich, though in1 can neither confirm nor deny that claim.
We’re mixing up the format again this week as we sit down not with a designer, but with the man in charge of handling the contracts for ALL designers, it’s United Scenic Artists Business Rep for Live Performance, Carl Mulert. Carl is the go-to-guy for all contract and union related issues for designers working in theatre and he’s with us today to talk about everything you’ve always wanted to know about USA but were afraid to ask. Cory and Carl cover a multitude of topics including when to join the union, how to join, the different kinds of contracts covered by the union, how collective bargaining and negotiations work, how pension and welfare contributions work, how the union can help you, and how YOU can help strengthen the union. They also briefly discuss the difference between working in the US and working in the UK where designers are not covered by a union. This episode is a must listen for young designers going into the business and probably a good refresher for existing members. There’s a common phrase among designers who need assistance or have questions navigating their contracts…”Call Carl,” over the next two hours, it should become clear why. Enjoy!
This week we welcome back the very first guest to ever sit down for an interview, it’s the return of Sound Designer Lindsay Jones! But this is no ordinary episode. Lindsay is the undisputed king of travel tips, tricks, hacks, secrets, and every other solution to making life on the road as stress free as possible and he joins us today to share with us his wealth of knowledge and experience. Cory and Lindsay chat about airline preferences, loyalty miles, perks and upgrades, best and worst airports, booking websites, what to do if your flight gets canceled, car rental insurance and a whole host of other related topics. They talk about the thankless job of Company Manager and the role they play in making travel arrangements for designers. And as an added bonus, Lindsay shares with us a fascinating tale from his current show ‘Privacy’ at the Public Theatre, which may or may not involve a certain US Citizen living in an undisclosed location in Russia. If you’re a designer who travels a lot, this episode is required listening and will hopefully be the first in a series with Lindsay as he helps everyone learn how to save the tears for opening night, not the Delta terminal.
This week’s guest is Scenic and Costume designer David Zinn! David works on incredibly diverse projects and takes us into the design processes of many of his most well known designs including ‘The Flick’, ‘The Last Ship’, ‘The Human’s’, and his Tony nominated scenic design for ‘Fun Home.’ And for a guy who loves sets that are “grungy, thick, and muscular,” David shows off his versatility by discussing his design for the upcoming musical ‘SpongeBob Squarepants,’ and his endeavor to recreate Bikini Bottom live onstage!
Welcome to Episode #58 and our wonderful chat with Scenic & Costume Designer Clint Ramos! Clint is just weeks away from opening his third Broadway show, ‘Eclipsed,’ and he shares with us the journey of that piece from The Public Theatre to Uptown. He tells us how doing political street theatre in the Philippines planted the seeds of his future profession, how feeling like an “outsider” has drawn him to specific kinds of projects, why he works hard to not let his work fall into any kind of specific style, and how designing the clothing for ‘Here Lies Love’ became a full circle moment. There’s also great biz talk in this episode from budgets to assistants, to the awkwardness of having to back out of projects, to the push for higher wages and the things he still feels like he needs to fight for on so many projects . And, hear how he tackles making Hollywood stars like Lupita Nyong’o and Bradley Cooper disappear into the less than glamorous worlds of their onstage personas.
This week we visit with another designer from across the pond, it’s Tony nominated Scenic and Costume Designer, David Farley! David was in town finally bringing ‘Daddy Long Legs’ to New York after playing around the globe for 6 years. He tells us about the evolution of the design and the process of modifying the set to fit different theatres. David and Cory dig into the artistic, practical and economical differences of being a designer in the US vs the UK and they chat about David’s award winning work on ‘Sunday in the Park…’, why designing Josh Groban’s tour was more difficult than you would think, designing in the Festival Theatre at Stratford and the qualities he loves in his frequent collaborators John Caird, Trevor Nunn, and John Doyle. But David isn’t all work…he also shares insight into being a designer on the road with an infant back home and why he’s passionate about his garden. It’s a great show, but mainly because of how adorably he pronounces ‘aluminum.’ Grab a seat in the stalls, raise the gauze and enjoy this week’s panto!
This week’s guest on Episode #44 is Costume Designer Jennifer Caprio! Jen created the iconic costumes for ‘The 25th Annual..Spelling Bee’ and she tells us how those clothes came to be on their journey all the way to Broadway and a hit show…and what happens when your design becomes part of the show logo. She also shares stories from ‘Colossal’, her recent football themed show at Dallas Theatre Center and ‘Joseph…’ currently touring the country. Hear about her unique sketching and rendering process which combines both old and new techniques, the culture of costume shops, and the differences between designing costumes for regional theatre vs. New York. This episode is G-R-E-A-T and you’re gonna love it!
Welcome to our first LIVE episode as we team up with ETC to bring you the Young Designer’s Survival Guide! Cory chats with Jon Collins (Scenery), Jason Crystal (Sound), Travis McHale (Lighting) and Tristan Raines (Costumes) about the nuts and bolts of being a young designer working in New York City. The panel has lots to say on topics ranging from assisting to designing on your own, when to join the union, whether you need an agent, how to remain passionate and how to pay that pesky rent. Being a “young” designer often means having to work harder to get noticed or be taken seriously among a team of seasoned pros and the panel shares their thoughts on maneuvering those obstacles. We take some questions from the audience, everyone names their favorite tech food, it’s a party and you’re invited!