It’s another first on this week’s episode as we welcome our first director. But not just any director, it two-time Tony nom (and theatre heartthrob) Alex Timbers! Alex is here to give us an insight into the production process from a director’s point of view. He chats with Cory about first design meetings, what is going through his head during tech, how he approaches designers with notes, and his thoughts on paper techs and dry techs. Learn why he has started creating ‘mission statements’ for every show and hear stories from some of his most exciting adventures including ‘Rocky’, ‘Peter and the Starcatcher’, ‘Here Lies Love’ and his many downtown shows with Les Frerses Corbusier. And if you’ve never heard about Alex’s avant-garde production of “How to Succeed…” then gird your loins, because no show is safe from the Timbers treatment!
This week’s guest is Scenic and Costume designer David Zinn! David works on incredibly diverse projects and takes us into the design processes of many of his most well known designs including ‘The Flick’, ‘The Last Ship’, ‘The Human’s’, and his Tony nominated scenic design for ‘Fun Home.’ And for a guy who loves sets that are “grungy, thick, and muscular,” David shows off his versatility by discussing his design for the upcoming musical ‘SpongeBob Squarepants,’ and his endeavor to recreate Bikini Bottom live onstage!
The podcast is back for some new Spring episodes starting with today’s guest, Sound Designer Stowe Nelson. Cory and Stowe chat about the true meaning of ‘silence’ in theatre, how to create the perfect aural landscape for a play, and how designers work together to create that perfect ‘walk-in’ look that an audience will soak in for 30 minutes prior to the start of a play. They chat about how Stowe is preparing his upcoming designs for ‘Indian Summer’ and ‘The 39 Steps’, how his designs evolve out of the rehearsal room and his least favorite kinds of sound cues to make. And prepare yourself for a riveting conversation about theatre HVAC systems!
Welcome to Episode #58 and our wonderful chat with Scenic & Costume Designer Clint Ramos! Clint is just weeks away from opening his third Broadway show, ‘Eclipsed,’ and he shares with us the journey of that piece from The Public Theatre to Uptown. He tells us how doing political street theatre in the Philippines planted the seeds of his future profession, how feeling like an “outsider” has drawn him to specific kinds of projects, why he works hard to not let his work fall into any kind of specific style, and how designing the clothing for ‘Here Lies Love’ became a full circle moment. There’s also great biz talk in this episode from budgets to assistants, to the awkwardness of having to back out of projects, to the push for higher wages and the things he still feels like he needs to fight for on so many projects . And, hear how he tackles making Hollywood stars like Lupita Nyong’o and Bradley Cooper disappear into the less than glamorous worlds of their onstage personas.
Welcome to Episode #57, New York blizzard edition! This week we welcome Props Queen Kathy Fabian! Kathy tells us how she went from being just a freelance props designer to creating Propstar, a full service design firm juggling multiple Broadway shows a season. She gives us an inside peak into her design process which includes budgeting a show, staffing it with the right kind of assistants, putting together a rehearsal props package, and how she handles that crazy time in tech between midnight and noon the next day! We’ve got fun prop stories that include traveling to Russia to find the perfect pieces for ‘Fiddler on the Roof’, creating raw eggs, animal carcasses, and fake cuts and bruises for ‘Rocky’, and camel wings for the circus! And learn about an amazing product called Model Magic. If you’re stuck inside today, cozy up with this new episode and stay warm!
Welcome to the second half of our interview with lighting designer Kevin Adams! In this part, Kevin talks about how light bulbs and electric objects found their way into so many of his designs, the kinds of discussions he has with directors both in the rehearsal room and in the theatre, why he likes a quiet tech table, and how working with Vegas based programmer Benny Kirkham has finally allowed him to “give up the headset.” He shares stories from ‘Next to Normal’ and ‘The 39 Steps’, tells us about sharing his life with acclaimed Scenic Designer James Noone, and finally gets around to answering those pesky 10 questions..which includes a fashion detour about Cory and Kevin’s shared loved of Chuck Taylors and Kevin’s excitement about his upcoming pairing of Star Wars T-shirts and Japanese overalls!
Welcome to 2016 and to a special two-part interview. This week we sit down with four-time Tony Award winning lighting designer Kevin Adams! In this first part, Kevin discusses his unique route to becoming a lighting designer, which included working as a scenic designer on the West Coast, working on music videos and commercials, and even being a go-go dancer! He shares with us his thoughts on lighting education, why he loves gardening, whether we’re embracing LED technology too quickly, and what he thinks is one of his biggest weaknesses as a designer. He has great stories from the design processes of ‘American Idiot’, both the original and recent versions of ‘Hedwig’, and ‘Hands on a Hardbody.’ Come back next week to hear stories from ‘Next to Normal’, how he has freed himself from the tech table, and what happened when he met Peter Sellers!
Merry Christmas! Who needs another pair of socks?! Your favorite gift this year is going to be our brand new episode with Scenic Designer Anna Louizos! Anna has designed some of the most exciting sets on Broadway in recent years and she’s here to talk about all of them. Cory and Anna cover her wild ride from landing the “School of Rock” gig (and how she ended up designing the costumes too!), to her iconic set for “In The Heights”, to the beautifully hand painted drops of “Edwin Drood”, to her head-first dive into Projection Design in “Honeymoon in Vegas”, to her gone-too-soo design for “High Fidelity.” She talks about what she learned as an Associate, how she runs her studio, why we need better ways to share and capture our work, and how running a restaurant prepared her for her current profession. And if that’s not enough, Anna tells us about the Broadway Design Exchange and how YOU too can own a little piece of the Broadway design experience. Pour some eggnog, gather the family and enjoy this episode by the fire!
The podcast is back just in time to send 2015 off in style! On this week’s show we sit down with Projection Designer Alex Koch. Alex tells us how he came to be part of a team of young designers all making their Broadway debut on ‘Irena’s Vow’ and what he knows now that he wished he knew then. He talks about the ongoing process of educating producers and directors about the world of projections, how he assembles a unique team for each project, and whether or not Projection Designers will become an endangered species as more Set Designers become comfortable creating their own content. Hear how the success of ‘Buyer and Cellar’ affected his career, and Cory makes him tell stories of being an Aquarium worker in Boston and which penguin was his favorite!
This week we visit with another designer from across the pond, it’s Tony nominated Scenic and Costume Designer, David Farley! David was in town finally bringing ‘Daddy Long Legs’ to New York after playing around the globe for 6 years. He tells us about the evolution of the design and the process of modifying the set to fit different theatres. David and Cory dig into the artistic, practical and economical differences of being a designer in the US vs the UK and they chat about David’s award winning work on ‘Sunday in the Park…’, why designing Josh Groban’s tour was more difficult than you would think, designing in the Festival Theatre at Stratford and the qualities he loves in his frequent collaborators John Caird, Trevor Nunn, and John Doyle. But David isn’t all work…he also shares insight into being a designer on the road with an infant back home and why he’s passionate about his garden. It’s a great show, but mainly because of how adorably he pronounces ‘aluminum.’ Grab a seat in the stalls, raise the gauze and enjoy this week’s panto!